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CAB 5: This is a Rehearsal

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Description

Floating Museum served as artistic directors of the 2023 Chicago Architecture Biennial, This is a Rehearsal, which invited audiences to consider cities as a continuous process rather than an enduring object. The catalogue for This is a Rehearsal documents and interprets the contributions of 80 local and global participants whose work challenged conventional understandings of how cities function, who plays a role in shaping them, and how proposed solutions might respond to the overlapping crises of contemporary life.

About CAB 5

This is a Rehearsal invites audiences to consider cities as a continuous process rather than an enduring object. This is a pronoun, adjective, and adverb; it points elsewhere. It refers to the myriad forms of art and design that evolve and emanate from the perpetual churn of the city: architectures, infrastructures, landscapes, monuments, technologies, criticisms, poetic forms, performances, spaces, theories, histories, and social organizations. In parallel, the word rehearsal offers an alternative to a manifesto. Rather than declare one particular aim, rehearsal is an open-ended framework that is intentionally designed to allow for uncertainty, progress, failure, and redemption. Rehearsals, like cities, coordinate a range of people coming together from different contexts, cultures, and lived experiences to produce environments in fulfillment of a range of perspectives. In this sense, rehearsals are structures of constant coordination and re-negotiation.

This also refers to CAB itself. A biennial is a form that organizes other forms. We do not see it as a stranger or outsider; we see it as an integral function of the city. It is in itself a process of production. Biennials are informed by the city and offer a range of potential forms to the city. While CAB is expressed as a range of exhibitions, installations, performances, and spectacles, we see This is a Rehearsal as a feedback loop and timing device. A biennial is not merely a conversation about cities but also a conversation of, and with, the city. It is also a reflection on a range of cities, as they are, as they were, and as they could be.

  • Run

    450 copies

  • Pages

    352

  • Book Size

    6.75 inches x 9.5 inches

  • ISBN

    978-1-7367436-3-8

Info

Editors

Floating Museum

Publication Manager

Iker Gil

Management Support

Kat Caribeaux

Design

Normal (Renata Graw and Lucas Reif)

Essay Editor

Elizabeth Pulsinelli

Additional Editing

Nora Catlin

Copyediting

Iker Gil and Elizabeth Pulsinelli

Typefaces

F Grotesk and CAB 5 Mono

Paper

Munken Print White 1.5 (100gsm) and Rigical Blanc (320gsm)

Publishers

Chicago Architecture Biennial (CAB) and MAS Context

Printing and Binding

DZA, Altenburg, Germany

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