Installation

Welcome to Tribuneville: An Imaginary Vision of an Old Chicago That Could Have Been

June 17-December 30, 2024

MAS Context and 150 Media Stream are thrilled to co-present “Welcome to Tribuneville: An Imaginary Vision of an Old Chicago That Could Have Been” by architectural cartoonist Klaus.

The hand-drawn animation, installed on 150 Media Stream’s giant media wall—a 150 ft x 22 ft series of LED screens—features sixty of the most inventive building designs entered in the famed 1922 Chicago Tribune Tower architectural competition, as well as flying machines, elevated walkways, monorail tramways, and other fantastical details dreamed up by the artist.

Contributors

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“Welcome to Tribuneville” by Klaus, 150 N Riverside Plaza, Chicago, 2024. © Michael Salisbury. Courtesy of 150 Media Stream and MAS Context.

In June 1922, the Chicago Tribune launched an international architectural competition for the building that would house its new headquarters with the ambitious goal of constructing “the most beautiful office building in the world.”

With $50,000, $20,000, and $10,000 prizes for first, second, and third place respectively, plus a $2,000 honorarium paid to ten firms that had been invited to submit their designs, the competition was an unquestionable success that earned it a storied place in the history of architecture. As much an architectural competition as a publicity stunt for the newspaper, “The International Competition for a New Administration Building for the Chicago Tribune” was part of a massive campaign that generated worldwide press coverage, attracting 263 entries from twenty-three countries, which were subsequently published in a book and featured in a traveling exhibition.

In addition to the winning entry by John Mead Howells and Raymond M. Hood, and Eliel Saarinen’s proposal—a second place that many felt should have won—the competition attracted designs from some of the most prominent architects of the time, both within the US and from the international scene, such as Walter Gropius, Adolf Loos, Bruno Taut, Max Taut, Jan Duiker, and Ludwig Hilberseimer. While most of the designs have been lost to the collective imagination, the parade of inventive proposals ranges from the beautifully elegant to the hilariously wacky, from the neo-Gothic to the Beaux Arts, from the hyper-ornamental Art Nouveau to the beautifully crafted Art Deco, from spiky Expressionism to naked functionalism, and beyond. Feeling it a shame that such a display of architectural imagination remains mostly unknown, Klaus took it upon himself to recover his favorite among these unbuilt entries and imagine a Chicago that could have been.

With “Welcome to Tribuneville,” Klaus creates an alternative vision of Chicago by asking, “what if all the entries to the 1922 Tribune Tower Competition had been built?”

“Welcome to Tribuneville: An Imaginary Vision of an Old Chicago That Could Have Been” was first conceived during a 2022 conversation between Klaus and Iker Gil, founder and editor-in-chief of MAS Context, about the upcoming 100-year anniversary of the Chicago Tribune Tower Competition. A first version of “Welcome to Tribuneville,” both in flat-drawing form and as a short video, premiered at “Chicago Tribune Tower Competition at 100,” an event organized by MAS Context in November 2022. In Fall 2023, a version of the work was published as a cartoon in the Mexican architectural magazine Arquine #105: “Mediations.” “Welcome to Tribuneville” has now been drastically expanded for the large-scale installation at 150 Media Stream.

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“Welcome to Tribuneville” by Klaus, 2024. © Klaus. Courtesy of 150 Media Stream and MAS Context.

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“Welcome to Tribuneville” by Klaus, 2024. © Klaus. Courtesy of 150 Media Stream and MAS Context.

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“Welcome to Tribuneville” by Klaus, 2024. © Klaus. Courtesy of 150 Media Stream and MAS Context.

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“Welcome to Tribuneville” by Klaus, 2024. © Klaus. Courtesy of 150 Media Stream and MAS Context.

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“Welcome to Tribuneville” by Klaus, 2024. © Klaus. Courtesy of 150 Media Stream and MAS Context.

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“Welcome to Tribuneville” by Klaus, 2024. © Klaus. Courtesy of 150 Media Stream and MAS Context.

150 MEDIA STREAM PUBLIC VIEWING HOURS FOR “WELCOME TO TRIBUNEVILLE”

Mondays to Fridays: 11:00 AM–2:00 PM
Saturdays: 1:00 PM–10:00 PM

*Hours Subject to Change

RELATED EVENTS

Tuesday, October 8, 2024, 6PM
Reception with Klaus

Thursday, October 10, 2024, 6PM
“Welcome to Tribuneville: Architectural History, Cartoons, and Urban Speculation”

Lecture by architectural historian Luis Miguel Lus Arana / architectural cartoonist Klaus

PRESS

Josh Niland, “'Welcome to Tribuneville' explores an alternative history of Chicago's skyline,” Archinect, August 13, 2024.

Carrie Shepherd, “Architect draws Chicago based on 100 year old blueprints,” Axios, October 17, 2024.

Leen Yassine, “‘Welcome To Tribuneville’ Exhibit Envisions What Chicago Could Have Looked Like,” Block Club Chicago, October 28, 2024.

Grace Ebert, “A Futuristic 150-Foot Installation Imagines Chicago’s Never-Built Architecture,” Colossal, August 20, 2024.

'Welcome to Tribuneville' showcases the old Chicago that could have been,” Fox 32, October 15, 2024.

Adela Bonas, “’Welcome to Tribuneville: An Imaginary Vision of an Old Chicago That Could Have Been’ by Klaus,” Metalocus, April 18, 2024.

Tom Barnas, “‘Welcome to Tribuneville: An Imaginary Vision of an Old Chicago That Could Have Been‘ by Architectural Cartoonist Klaus,” Stories from the 78, November 4, 2024.

Anna Rahmanan, “This new immersive art exhibit looks at the Chicago skyline that could have been,” Time Out Chicago, October 28, 2024.

Daniel Hautzinger, “A Cartoonist's Immersive Vision of What Chicago's Architecture Could Have Been Is on Display in One of the City's New Icons,” WTTW, August 2, 2024.

PROJECT CREDITS

Concept, drawing, storyboarding, and direction Luis Miguel [Koldo] Lus-Arana aka “Klaus
Animation, sound, and editing
David Rubioma Motion Graphics Design
Presented by
150 Media Stream and MAS Context

Featuring a selection of 60 entries submitted to the Chicago Tribune Tower Competition (1922) and published in The International Competition for a New Administration Building for the Chicago Tribune MCMXXII.

Featured architectural works by: Eliel Saarinen · Dwight G. Wallace · Bertell Grenman | Edward Shepard Hewitt | Hellmuth & Hellmuth | Mead Walter | Chas H. Bebb · Carl F. Hould | Glenn Brown & Bedford Brown | Albert Randolph Ross · John Sloan | John Wynkoop | Frank Fort | Franklin James Hunt | Bliss & Faville | Alfred Morton Githens | J.L. Baker | William Berg | I. N. Phelps Stokes | Samson, Dodd & Pierpont | Dennison & Hirons | William Drummond | Frank Herding · W. W. Boyd, Jr. | Douglas D. Ellington | Alfred Dellheimer · Steward Wagner | Paul Gerhardt | Mathew L. Freeman | Erich J. Patelski | Frank O. King | Gaar C. Williams | Carey C. Orr | Walter Burley Griffin | Einar Sjostrom · Jarl Eklund | Henri Georges Chassagniole | Honoré Monestel | Adolf Loos | Walter Gropius · Adolf Meyer | Heribert Freiherr Von Luttwitz | H. W. Kruger · Hermann Zess | Gerhard Schroeder | Max Taut | Bruno Taut · Walter Gunther · Kurz Schutz | Heinrich Mossdorf · Hans Hahn · Bruno Busch | Ludwig Koloch | Meischke & Schmidt | D. F. Slothouwer | D. A. Van Zanten | Bernard Bijvoet · Jan Duiker | H. F. Mertens | A. van Baalen | F. H. Douw van der Krap | Giuseppe Boni | Saverio Dioguardi | Pino Vittorio | Antonio Galiffa | Lippincott & Billson | James Salmon | Pedro Guimón Eguiguren | Rafael González Villar | Anonymous architects.

ABOUT 150 MEDIA STREAM

Located in the lobby of 150 N Riverside Plaza in Chicago, the 150 Media Stream is a public digital art installation divided into 89 LED blades. It stretches over 150 feet long and reaches 22 feet high, the largest structure of its kind in the city. Launched in 2017, the 150 Media Stream has showcased over fifty commissioned works by emerging and renowned local and international media artists. The 150 Media Stream Arts Program also includes strategic partnerships with many major institutions and university fine arts programs in the city and provides a forum for students and cultural practitioners to exhibit and promote their work in a dynamic and iconic environment.

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“Welcome to Tribuneville” by Klaus, 150 N Riverside Plaza, Chicago, 2024. © Michael Salisbury. Courtesy of 150 Media Stream and MAS Context.

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“Welcome to Tribuneville” by Klaus, 150 N Riverside Plaza, Chicago, 2024. © Michael Salisbury. Courtesy of 150 Media Stream and MAS Context.

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“Welcome to Tribuneville” by Klaus, 150 N Riverside Plaza, Chicago, 2024. © JaNae Contag. Courtesy of 150 Media Stream and MAS Context.

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