I like to think of “Dysfunctional Landmarks” and “Hotel Troya” as high resolution architectural machinima. These are works that talk about the promiscuity of genres and typologies, the closeness between the monumental and the monstrous, the anomalous attraction, scale as an aberration, representation as a trap and function as a nightmare. His gaze is not guilty, but distant and objective; strictly empirical. These images are not intended to denounce anything. They are cold, dispassionate, almost scientific records—no perspectives, only elevations—of that which lives hidden and concealed in the mind of the architect. Goya put it well: “The sleep of reason produces monsters.”
—Emilio López-Galiacho
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Issue 12
Aberration
The Potential of the Territory Beyond
The Only Possible World
Architecture Without Idealism (Of A Sort)
Game of Ornaments
Metropol Parasol
Boom Bust Rubble Dust
Terrible Beauty
Cities
Dysfunctional Landmarks
Weak Networks and Movement Scales in Architecture
Something Exceptional
F*ck Your Tectonics
Unseen Realities
Immanent Cartography
Project
Dysfunctional Landmarks
December 5, 2011
Projects by Emilio López-Galiacho.
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